Miró's oft-quoted fascination in the assassination of painting is derived from the dislike of bourgeois art, which he thought was applied as a method to market propaganda and cultural id among the the rich. Specifically, Miró responded to Cubism in this way, which by the point of his quotation had https://www.triptales.me/discover-the-artistic-and-historical-marvels-of-barcelonas-museums/